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Anyone who's ever behaved in a way they're not exactly proud of after a breakup will see themselves in this one, in which Shirin tries to move on from her first queer relationship, confront her bisexuality and her family's homophobia along the way. Kenneth is a socially awkward office worker who has little experience with romance. He buys a life-like sex doll in an attempt to rid him of his loneliness, but soon finds there may be a dark side to 'Nikki'.
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I have the appetite to know you better," Vita says at one point, later bemoaning having loved someone for years who couldn't fully commit. A troubled man gets released from prison and starts taking out his sadistic fantasies on an unsuspecting family living in a secluded house. Two women, a chef and an anorexic writer, are neighbors in an apartment building. The chef (301) tries to entice her neighbor to eat with fabulous meals. The writer (302) refuses to eat, ... See full summary»A beekeeper on the side, Jean invites Lydia's son Charlie (Gregor Selkirk), who's been bullied at school, to visit the hives in her garden to share his secrets with the bees. Unable to deny their attraction, Jean and Lydia enter into a forbidden love affair and soon enough have secrets of their own to tell the bees. Ammonite stars Kate Winslet as British paleontologist Mary Anning and Saoirse Ronan as her lover circa the early 19th century, is out December 4, and the imagery is stunning. It's been four years since Alaina was raped and she still has no plans to pursue formal charges against her rapist. She says, unflinchingly, that she has moved on in other ways: She's chosen to change her name, and has moved to a new city where she has pursued a successful freelance writing career, often writing about sexual assault within the LGBTQ community.
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In this beautiful coming-of-age story, a Brooklyn teenager is trying to find her way as a lesbian, despite her parents' resistance and her complicated feelings for her best friend. As so often happens, poetry comes to the rescue. Over 10 years later, same-sex rape on college campuses is just starting to be quantified on a national level. Haven, an online sexual assault and awareness program that logs sexual assaults directly from students, works with self-reported data from over 800 colleges and universities. Haven had never compiled a report on undergraduate women who have been assaulted by women, but teamed up with MarieClaire.com to reveal new information: While the number of reported sexual assaults by women was low compared to assaults overall (only about 2.5 percent), the most striking difference came down to the likelihood of survivors to report the incident: 30 percent of women assaulted by another woman told no one, compared to 25 of women who didn't report an assault by a man. Part revenge tale and part redemption song, Lizzie took years for indie darling Chloe Sevigny ( Boys Don't Cry, Big Love, Love and Friendship) and out writer Bryce Kass to shepherd to the screen. Although there were several iterations along the way, the final version of the film about the ax killer from the tiny town of Fall River, Mass., couldn't have come at a timelier moment. A film that shares a lineage with the queer true crime-based films of the '90s like Heavenly Creatures and Sister My Sister, Lizzie is a fresh take on the "murderous lesbians'" trope. The movie also fits right in with the #MeToo era, with Lizzie and her maid/love interest/co-conspirator Bridget (Kristen Stewart) literally bashing toxic masculinity in the face.Modern retelling of Hansel and Gretel. After committing a murder, a young couple on the run find refuge in a remote cottage in the woods, where they become trapped by the perverse hermit who lives there. Sarah left their home that night and sat crying in her car. As a child, she had been repeatedly sexually abused by an uncle —this assault felt just as violating. But she still wasn't sure if she would call it rape. "Because we were together, I thought that she had the right to have sex with me the way she wanted," Sarah explains. Most of our films are really bloody. A very few, extremely few, are not. One of those movies where no blood was used is FANTOM.
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There's a slow and persistent burn in Mona Fastvold's The World to Come. The gorgeously spare period piece stars Katherine Waterston ( Alien: Covenant) as Abigail and Vanessa Kirby ( The Crown) as Tallie, two women battling the harsh elements in 19th-century New York State who find solace and a whole lot more in one another. Simone's trying to work up the bravery to come out as a lesbian to her conservative Jewish family when she develops a crush on a dashing male chef. This snort-worthy comedy covers the spectrum of romantic attraction, with lots of heartfelt and funny moments along the way.
Only four movies on the list were directed by men, and at least a dozen were directed by queer women, proving that when it comes to telling stories about queer women, no one does it better than us. Three queer directors, Alice Wu, Angela Robinson, and Dee Rees, each have two films in the top twenty.
